Pop track or your kick and bass in a club track. To take a look at 3 simple techniques that will make setting levels That we know why balance is so important for music producers, it’s time Garbage in garbage out is a cliche for a reason! -) The signal chain ensures you get the highest resolution at the outputs. Out of the stereo output and what’s being converted to the stereo audio The only result that matters is what’s coming Mixing can be seen as a balancing act where every part has to be just Achieve the highest resolution in our master output Here’s a decent free plug-in for the job: Youlean Loudness Meter 5. Good loudness meter to check your dynamics. You want to strike an appropriateĭynamic balance between louder and quieter material in your mix. To ensure optimal signal flow through our entire chain On your group channels before you route through to the master bus. This is because you can add overall compression and EQ Into group channels can help control levels and dynamics before you hit It to achieve the final output level range mentioned above. The master bus fader at unity gain (0dBFS) and then mix instruments into In most cases a final mix with a highest peak level between -4dBFSĪnd -6dBFS is a decent range to aim for. We achieve the emotional effect we want in the listener by making sure we have coherence between all the elements in the mix. Works for one mix won't always work, even on a similar mix. One-size-fits-all type recommended level charts aren’t useful. There are no cookie-cutter levels you canĪpply to your tracks or to produce a great mix. When we balance we want to achieve several outcomes at the same time: 1. How you set levels in a mix affects the balance at every stage of the production process. What Do We Want When We Set Levels in a Mix?
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